reviews

 

Swiss Grandmother
The Death of Klinghoffer
English National Opera
Marcellina
The Marriage of Figaro
English National Opera
Marie Curie
Daughters of the Elements
Polycaste
Icarus
Tête-à-Tête Festival
Swiss Grandmother, Austrian Woman, British Dancing Girl
The Death of Klinghoffer
Opera Theatre of St Louis
Suzuki
Madama Butterfly
Houston Grand Opera
Carolina
Elegy for Young Lovers
ENO/Young Vic
Recollections of My Childhood
Stravinsky Songs
Transition_Projects
Margaret Johnson
The Light in the Piazza
The Curve
Page Salome
Metropolitan Opera

Prince Orlofsky
Domingo & Friends: LA Opera’s 20th Anniversary Gala

Los Angeles Opera

Hansel Hansel and Gretel
Los Angeles Opera

Cherubino Le nozze di Figaro
Los Angeles Opera

Erika Vanessa
Los Angeles Opera

Erika Vanessa
Washington National Opera

Ava Hopper’s Wife
Long Beach Opera

Clare de Loone On the Town English National Opera

Amastris Xerxes
English National Opera

Judy Punch and Judy ENO/Young Vic

Thea The Knot Garden MTW/ROH2

Octavian Der Rosenkavalier Hamburg Staatsoper

Charlotte Werther
Cologne

Sméraldine
L’amour des Trois Oranges
Cologne

Sesto Giulio Cesare
Opéra de Monte-Carlo

Erika Vanessa
Opéra de Monte-Carlo

Erika Vanessa
Opéra du Rhin, Strasbourg

Clare de Loone On the Town Théatre du Châtelet

Stravinsky Songs
City of Birmingham
Symphony Orchestra

Songs of the Auvergne
New York City Ballet

Erika XVanessa X Los Angeles Opera

"With her vast expressive range, superb dynamic control and bright tone, Schaufer gave a dazzling musical performance. Her account of the Act I “Must the winter” was beautifully shaped and infused with a repressed ardor that made a convincing case for Erika’s subsequent dalliance with Anatol. As the opera unfolded, Schaufer thrilled the audience with her intensifying portrayal of a young woman torn ever deeper between her devotion to Vanessa, her lust for her aunt’s lover and the consequences of her pregnancy. Her gutsy fall down the grand spiral staircase that dominated Paul Brown’s elegantly icy set made for a riveting Act II climax.”
(Opera News)

©2008Robert Millard
“As in Washington, Schaufer was the true vocal standout, her dark mezzo appropriately haunting throughout the evening.”
(Opera)